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REGISTERED PIANO STEINWAY SERIAL NUMBER -STEINWAY-REGISTERED

The purchase of a Steinway-designed piano is an investment in music and an artistic musical instrument that requires general care and maintenance to ensure that it will perform to its designed specifications. To protect this valuable instrument it is important to ensure that you and your sales representative have completed, during the purchasing process, the owner’s registration card that is attached to the piano. If this has not been done, please contact your Steinway representative or seek help from a registered professional tuner/technician so that they can register you and your piano with the factory and facilitate your Owner’s/Warranty Certificate. If you are unsure whether your piano has been registered you can simply contact your local Steinway dealer representative or call Steinway & Sons factory at 718-721-2600 and ask for the owner’s registration department. A customer service representative will be happy to assist you with any questions you may have. Be sure to have your piano serial number available. The serial number can be found on the cast iron plate when you open the front top of the lid on a grand piano or the lid top on a vertical piano.

registered Steinway serial # location – grand (courtesy of Steinway & Sons)

Image Courtesy of Steinway & Sons

registered Steinway serial # location – upright (courtesy of Steinway & Sons)

When Steinway & Sons receives your owner registration information from your Steinway representative for any Steinway-designed pianos you can expect the following:

Your piano and owner’s information is now registered in the Serial Number data log files. This speeds the process to take care of any issues that might arise during your warranty period.

After you and your piano are registered in the Serial Number database, your hard-copy owner/warranty document including a welcome letter will be sent to you via mail. This ensures documentation of your piano with Steinway & Sons.

When you purchase a Boston or Essex piano, a package is included with the instrument that contains the owner registration card

After your owner’s registration has been submitted to either the Boston or Essex Piano Company you will receive via mail your warranty certificate under your name, a “Welcome to Our Family” letter, and a owner’s survey form with a postage-paid return address.

You will also receive under separate cover either the Boston or Essex newsletter highlighting special events and stories.

When you purchase a Steinway piano and after the factory receives your owner registration you can expect to receive your owner’s warranty, a letter from the president, a “Welcome to the Family” maintenance / service booklet, and a survey form with a postage-paid return envelope.

All Steinway, Boston and Essex owners will also receive under separate cover the highly acclaimed Steinway Magazine which is sent only to Steinway, Boston and Essex piano owners. In this magazine you will see featured articles about Steinway & Sons and other music and music-related themes. A sample cover is shown below.

Steinway & Sons and your Steinway representative want to ensure that your piano provides you with years of joy and pleasure. Steinway is ready to assist should you have any questions or concerns.

from http://www.steinway.com/protect-your-investment/

How to buy a Steinway on line

How does the centuries-honed sophistication in design enter the new world of online shopping? Imagine going to Steinway.com and adding a piano to your cart. It may take awhile. The idiosyncrasies of the grand and baby grand pianos keep their sales transactions offline. Personal touch is key.

“Every piano sounds different to every player,” Mr. Spellman said. “So far the Web site has merely an educational tool that gives viewers information and helps with our branding. But the new search function is very helpful from a sales point of view. It helps connect possible buyers to dealers in their area.”

For example, a buyer in rural Illinois can be given information about the Steinway models that the Chicago dealer has in stock. Each city has only one dealer so as to avoid cannibalization.

In recent years the firm has added two lines of upright pianos, the Boston and the Essex, which are sold at a lower price point and made overseas in Japan and China.

Also available online is information on other piano models, technical specs, showroom details, a dealer locator, artists performing on Steinway instruments, competitions, music and interviews and even a link to Apple’s iTunes online music store.

In the future it may be possible for consumers to add a Boston Steinway to the shopping cart at Steinway.com. And the site may be used as a revenue source by selling tickets to concerts and performances for classical and popular music. The new strategy would promote concerts and festivals to the Steinway audience.

For a piano maker whose endorsements through the years include Richard Wagner, Igor Stravinsky, Cole Porter, Irving Berlin, Gustav Mahler, George Gershwin and Duke Ellington, it seems a natural vehicle for music in the 21st century.

But the past matters as much to Steinway as the present, even in marketing. Consider the contest organized in 2003 for the company’s 150th anniversary. The goal was to find the oldest Steinway.

“A pair of little old ladies in Texas had the oldest one, from around the time that the factory opened in New York,” Mr. Spellman said. “The prize for the winning piano was a free restoration. Besides a little tuning, there was nothing we could do. The piano was in perfect condition.”

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PERFECT PIANO

PERFECT

A concept of perfection…

expands from the philosophical to….

the legal to…

the grammatical to…

mathematical to…

biological and also to the musical.

In music exists…

the perfect interval-

octave fifth fourth and perfect unison.

Of course the piano tuner is perpetually in pursuit of the perfect tuning

for each and every tuning as a mission and lofty goal

Regardless of definition,

resorting to words like excellent, complete, exact, without flaw, pure, absolute, expert, unmitigated, having all,

the tuner focus is on that endeavor to bring nearer to perfection

improving as fully possible to be unblemished and faultless…

whether it can be said that this condition exists or does not.

But certainly to be ‘most’ perfect and always more perfect as modification can provide

for all purposes,

although there are some that feel words that modify as

more, most, nearly, almost and rather should not be combined with perfect…

since perfect is an absolute,

a yes-no condition that cannot be said to exist in varying degree.

Perhaps then a piano tuner

is with qualification the ‘perfecter’ or the ‘perfectest’

to account for all varieties available or imaginable and ideal for all purposes

PERFECT PIANO

Being complete

without blemish

satisfying all

is then also

the goal of

recording

and sampling

piano

SOUND ON SOUND

Jan 2008 volume 23 issue 3

attempts to describe this perfection in the well covered topic

‘PERFECT PIANO’

Recording a real one? Chosing a sampled one?

As is suggested ‘Read this first’ and travel into the thought process behind that pursuit of

‘Perfect’

as only SOUND ON SOUND could cover

Topics such as what type of mic to use, sample libraries, ambient techniques,

horizontal and vertical dispersion,

spaced stereo and getting an even sound are covered here.

If you need to consider where to set up the piano and mic position

this article is for you to really help narrow down choices in your quest for

the perfect!

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by Ear

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When any piano tuner you might meet exclaims that he or she is an aural tuner or tunes a piano only “by ear”or uses only the ear with a tuning fork the imagination could run wild thinking what “by ear” could or might mean.

Certainly this master piano tuner laughs thinking how back then when my education stressed traditions and hand me down thinking on the topic of aural tuning which then made a dent in my brain, has now for me been revised as I see in reality more than clear that for tuning a piano I use my arms , back , fingers, legs, eyes, brain, yes basically most all of my body. In other words to be a piano tuner you need all you can get!

Take away a piano tuners arm give him a back injury remove a foot or sever his auditory cortex and the tuner will no doubt be greatly impaired forever compensating for the lack of what might be described as the proper equipment. Yes removing ones eyesight can no doubt be compensated for, but for the sake of argument this tuner feels it would be easier to tune a piano in this day and age without ears than without eyes

Now to return to “by ear ” this video short is in a nut shell the basic workings of the ear- brain and chain of events any listener experiences moment to moment without really to much thought. After a quick view of this well done video short the mechanics of the ear and hearing sound in general seems, well, straight forward. So regretably the piano tuner that thinks with that pride “I tune only by ear” is certainly not looking at the big picture and may find at some point that a worn out elbow or shoulder, without benefit of modern day repair, has suddenly ended his once misplaced pride and well meaning dedication to the service

As for any piano tuner that exclaims that he or she tunes a piano only”by ear” with all the pride they can muster, reporting they feel or experience the soul or passion , or would never use anything but their ears because that has heart, at that point in time really fail to appreciate the rest of the god given equipment that makes the human being a marvel and a wonder without which, piano tuning would be almost impossible

This world offers much to consider that helps all human beings along our way, but without reverence for the big picture, the total package that makes the human condition unique, the myopia of the prideful piano tuners exclamation I tune”by ear” not only is mostly at that moment an exercise in deception but for the most part an overwhelming deafening silence!

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