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stretch

STRETCH

Stretch

Matching The Verituner ‘Box’ To The Piano

A simple method to pre-test and adjust your Verituner to the piano presented in a short presentation, in Chicago land by Dr Woodwind

Watch this video on YouTube.

If you’re an electronic tuner how do you know that the electronic tuning you have calculated fits the piano in front of you?

Let’s consider for a moment how we tune a unison. Pick any note here in the middle we are going to mute off one string till we are satisfied with it. Pick the next string,we may go over we may go below and we try to find the best place for that unison.

I’m going to apologize for competing with the percussionists today, this is like practice room row!

We’re going to look at tuning octaves the same way we tune a unison, so the idea is you go ahead however your machine asks you to do it calculate the tuner to the best of your ability, taking your samples, we are gonna tune A4 of course. Now we have muted off so we only have one string to clear the string you can set that string as best you can allow that string will let you tune in it on the piano in front of you and then lets go down and see A3 where the machine wants us to set A3 which will be our temperment octave, again tune that as well as you can, and then just play it as you can, and just play it as an octave.

That’s pretty good but let’s see if we can do a little better. I want you to just treat that as a unison we are gonna go a little lower and then a little higher and try to find the pocket.

So we’re not gonna worry about 4/2 octave or 6/3 octave 2/1 octave just how does it sound the best place where it sounds this is about the best I can make it.

So now we are using the Verituner as a bookmark now. You notice that I have my ear has told me, one, two, three cents sharper that what the machine says.

What you need to do is understand your own machine well enough to know how to change the tuning parameters.

Um, these are

stretch parameters

style parameters

OTS parameters

these are different things you can do to alter the tuning on your Verituner you match what the tuning is on your ear. Now on the Verituner I’ve gotta go find a different style that will match, more closely. I have them all numbered so seven is a fairly wide style need to go up closer, um, to find something closer that might work for this piano and once you have pianos under your belt you’ll know before hand you know if I see a Baldwin upright I know what style to pick that will work for it.

And again A4 just double check it, that’s good. Drop down to A3, and there we go we are right on the money. Go ahead and go down to A2, tune it the way the machine says, and drop down the octave and then check it, that’s got a roll to it, don’t really like that either (more tuning) that’s a little better. We need to go a little flatr, we need to find a style that will have a little lower section in that part of the piano, there we go and then just work your way, as far as you feel comfortable as far as you (pause, more tuning)

So basically what we are doing is setting up bookmarks, setting up a road map for the machine to fit the tuning in between, because if you give it endpoints it can calculate in between fairly well. And then it’s up to you to find out how to manipulate your own machine. There are forums on line that can help you, you can ask questions on line of people how to set that.

But, the key concept here is to know you can tune a unison and tune two strings together simply by ear with no checks, you can also do two strings an octave apart by ear, double check with the double octave or triple octave as you work your way up to find the pocket so you can build a good ladder an appropriate ladder for this particular instrument

If you really want to get picky you may check Eb which is half way between the A’s, and also check some of those.

Again it is a trade off between how much time you want to spend before you actually start tuning the piano.

Hopefully this will help you, this approach as you work with it, will help you shorten the tune time so that you don’t have the entire piano tuned and then say well- I need to change this, I need to change that, I need to change that.

It should start you off with a tuning that should at least fit your A’s and that everything in between should be a lot closer than if you just picked an average tuning or the default tuning that comes with the box

(starts tuning again)

end

pianoteq-sos20080012

SOFTWARE PIANOS

SOFTWARE

SOFTWARE PIANOS

Not sure about a real piano, the time is right to concider a sampled piano and choices abound! Practically speaking a real piano isn’t always ‘practical’. If you seem to have more computer space than the room for a good sized piano take heart as a guide herein tells all. TruePianos offers up a three piano package for a multi-core or Power PC G5 Mac, simple interface of presets for each module sonic adjustment as well as tuning adjustment. The sound is ‘dry’ with no room acoustics. 40 day demo is available on

Service Galaxy ll an upgrade from Galaxy Steinway,

offers up a Steinway D Bösendorfer Imperial 290

and a Blüthner 150.Multisampled and miked for

surround and stereo is a treat.Strong at jazz classic or pop and smooth up seven octaves

I have previously covered the Blüthner Digital model one earlier

Native Instruments Akoustic Piano provide a Steinway D a Bechstein D 280, a Bösendorfer 290 and a Steigräver 130. 10 velocity levels on each note and tuning available (cool

Pianoteq v2.2 is not sample based but modeled.As modeled hammers resonance sustain stacato and a host of other variables as well as size.Very good considering its nor sampled. 45 day demo

Sampletekk is 24bit multisampled fair in a library format all listed on their website include 7CG Yamaha, Black Grand-Steinway D, PMI Bösendorfer 290, PMI Estonia 9 ft, Pmi Hybrid, Pmi Old Lady 1923 D, Pmi Steinway D Pmi The Emperor Bösendorfer 290, PMI Yamaha C7, SG88 MKll,The Big One Yamaha C7 and White Grand 9 Ft Malmsjö Concert Grand

Steinberg The Grand 2 are a dry mix of two large well known pianos in anechoic chamber (I can still hear Dr Wright on that one) I would like to present this in a future post Synthology Ivory 9ft D Börsendorfer 290 Yamaha C7 all with 10 velocity levels Vienna Symphonic Library Börsendorfer 290 multisampled 7 velocities quite possibly the best in its class

Find a wealth of information

and help

on these

and more

in

SOUND ON SOUND

PERFECT PIANO

PERFECT PIANO

PERFECT

A concept of perfection…

expands from the philosophical to….

the legal to…

the grammatical to…

mathematical to…

biological and also to the musical.

In music exists…

the perfect interval-

octave fifth fourth and perfect unison.

Of course the piano tuner is perpetually in pursuit of the perfect tuning

for each and every tuning as a mission and lofty goal

Regardless of definition,

resorting to words like excellent, complete, exact, without flaw, pure, absolute, expert, unmitigated, having all,

the tuner focus is on that endeavor to bring nearer to perfection

improving as fully possible to be unblemished and faultless…

whether it can be said that this condition exists or does not.

But certainly to be ‘most’ perfect and always more perfect as modification can provide

for all purposes,

although there are some that feel words that modify as

more, most, nearly, almost and rather should not be combined with perfect…

since perfect is an absolute,

a yes-no condition that cannot be said to exist in varying degree.

Perhaps then a piano tuner

is with qualification the ‘perfecter’ or the ‘perfectest’

to account for all varieties available or imaginable and ideal for all purposes

PERFECT PIANO

Being complete

without blemish

satisfying all

is then also

the goal of

recording

and sampling

piano

SOUND ON SOUND

Jan 2008 volume 23 issue 3

attempts to describe this perfection in the well covered topic

‘PERFECT PIANO’

Recording a real one? Chosing a sampled one?

As is suggested ‘Read this first’ and travel into the thought process behind that pursuit of

‘Perfect’

as only SOUND ON SOUND could cover

Topics such as what type of mic to use, sample libraries, ambient techniques,

horizontal and vertical dispersion,

spaced stereo and getting an even sound are covered here.

If you need to consider where to set up the piano and mic position

this article is for you to really help narrow down choices in your quest for

the perfect!

PERFECT PIANO Overall rating: ★★★★★ 5 based on 6 reviews
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